Bipasha Basu, one playing the female leads... sorry, leads, in the comedy of the terrible mistake gone on record to say she was extremely disturbed by the end result of this film.
So, to be honest, we are. And the end which Bipasha is talking about seems to reach forever, as we see three adults, supposedly lapse into a collective state of incurable disability developed take actors.
Seem to be 'Humshakals' developed for the mentally retarded. She would crawl even the manner that the two protagonists Ashok and Kumar (Ashok Kumar, Gedddit?) are shown. Moronic and wrong, the duo in crass mediocrity seems to revel. Inmates in a mental asylum in London (not less), Saif Ali Khan and Deshmukh who raise the ante for madness to a point where reason begins to work as a State of mind, invented, making us believe that there is a world, a relatively sensible, outside which comic filmmakers in Bollywood should be funny.
To be fair, is crammed with three Sajid Khan new brainwave roles for its three male leads plus a drag Act in the second half, which is really funny so obnoxious treatment as the slapstick comedies of Rohit Shetty or Anees Bazmee.
I suspect that the actors shoot a whale of a time the scenes must have had. And Sajid Khan needs to write the comedy of mistaken identity, especially if the look-alikes progression of plot to keep multiplying. But the growth is unstructured. It's like extra food will be air dropped to the victims of the famine. There is a lack of the basic foodstuffs. What are you doing with Add-ons?
The comedy ha ha, the screeching stealth moves a choir boys Yo Yo sing honey Singh's figures, when the high priest during the holiday. Each Member of the cast and crew seems to be in a holiday mood. Many the gags routes even lie there as if the Director ordered to roll the camera and then went to sleep.
Saif and who vary between spoofy and two figures gets chic with a little help from RAM Kapoor, one play of them suffer as the medical experts on board for this special comedy call "OCD-Level 3".
Who, how often in the cinema of Sajid Khan starting makes a better impression than Saif, who is trying hard to show us as the title with "H", he's mood in the fun kids game. SAIF is clear from his deep wallow in the slapstick insanity a world that has no logic except to create a chaotic humor from a stock of false identities.
There are three women in the show, the winds and pout if the Act in question is (which, like you, from the nature of the material, very often say). Even the opposite sex appeal is more paintings in the hands and chests of the three heroes to advertise to their own doubles in lush draw. While Saif who in women's clothing and vice versa, woos bizarre RAM Kapoor Wooes himself in women's clothing, a kind of auto-eroticism to create that prevailing mood of sexual innocence has no influence on the film.
In order to scare us, there are many gay jokes that show up when you least expect, her, as if the Director wants to remind us that political incorrectness not only false identities, but also identity crises.
Don't even try to understand the world based Sajid Khan. The sand Castle of Goofiness can at any time be washed away by the flood. The Director does not really care.
Sajid Khan will shoot himself and his sister Farah Khan 'Himmatwala' and "Tees Maar Khan" as part of the curriculum of torture show in the mental asylum. Don't be surprised if the DVD of 'Humshakals' in 'Humshakals 2' shows up as a torture device.
In one of the rare really funny sequences trying to impress RAM Kapoor Saif and who, by pulling the tablecloth from a table filled with food, how they do it, promised that nothing is spilled.
Of course, the food comes to collapse. But the fear of the fall depending on the broad comedy keeps ill manners that Bollywood thinks to be funny again?
Wish we had so much fun to watch this film, to have had the team it seems. SAIF is bad stand up comedian will be shown. The film never exceeds his hero character to require people to laugh.
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